Dinjith Ayyathan film – Malayalam film Eko has been a topic of discussion among cine lovers since its release. When I went to watch the film in a theater in Pune, I was surprised to see it. Eko reminded me again and again that there is no substitute for competent storytelling in cinema.

These stories can take countless shapes and forms. Eko doesn’t have any big stars and is supported by a wonderful ensemble cast, with promising young actor Sandeep Pradeep playing a key role.

The biggest strength of the film is its story and the way it is told. Unique experiments with narrative are the hallmark of new age Malayalam cinema. Apart from other factors, the art of storytelling has played a vital role in making these films reach a pan-Indian audience, especially at a time when mainstream Hindi cinema has weakened considerably on that front.

You wonder what the movie is about? Eko makes such a question difficult to answer because of the nature of its storytelling – layered, dull, and time-consuming to unravel. During the first half, you’re left wondering what the outcome of all this might be.

It takes us back in time, exploring Kerala’s maritime links with Malaysia, highlighting local legends and the state’s lush geography, which is not a prop but a supporting character in the story. Understanding the setting is an integral part of the film.

You’re still waiting for an event to happen around which the film could revolve, but Aiko defies all such expectations. You keep watching it because you’re mesmerized by its intense storytelling and want to know where it might lead. Eko can be classified as a thriller that doesn’t look, sound, act or feel the same.