famous Salman Khan – Salman Khan has a strong fan base who love his acting, physique, confidence, and even art. However, fame has its own set of pros and cons.

The Dabangg actor once revealed in an interview with film critic Anupama Chopra that his paintings are often subjected to unwanted scrutiny and analysis by โ€œexpertsโ€ simply because he is a superstar. While recalling his first stint with art, Khan shared, โ€œThe first painting I made was of my dog, Myson. I didnโ€™t know anything about shading and colours.

I made him in gold and black. And eventually I have learnt it now. It has come to me kind of easy and naturally like auto-pilot, haan.

โ€ Can art really be made on โ€œauto-pilotโ€? Psychologists say this โ€œauto-pilotโ€ Salman refers to isnโ€™t accidental. According to S. Giriprasad, psychologist at Aster Whitefield, when a creative act is repeated over time, the brain stops treating it as a task of conscious effort.

Instead, it starts seeing it as a familiar routine. โ€œNeural pathways associated with movement, colour selection and emotional expression get thoroughly practised,โ€ he explains. Over time, this allows a person to slip into a flow state.

โ€œFlow is a mental space where they are deeply absorbed, self-critical thoughts quieten, and actions feel automatic. In this mode, painting becomes almost meditative.

The mind relaxes, emotions find a channel, and the act itself feels grounding rather than effortful. View this post on Instagram A post shared by Salman Khan (@beingsalmankhan) โ€œThere is no single emotional state required for painting. Some people paint to express strong emotions โ€” sadness, joy, anger, longing โ€” while others paint precisely to escape overthinking.

Auto-pilot painting often happens when the goal isnโ€™t perfection but presence. On such days, the brush moves before the mind has fully โ€˜decidedโ€™, and thatโ€™s completely healthy. In fact, many psychologists see this as a form of emotional regulation, where creativity helps the brain process feelings without needing words.

โ€ Salmanโ€™s description fits this almost exactly. He doesnโ€™t speak of planning, emotional preparation, or intention โ€” only ease.

But the ease doesnโ€™t extend to how his work is received. The side effects of fame โ€œBecause my name is Salman Khan, I am an actor, so again I have been analysed by artists and psychiatrists for my emotional conditions and my emotional status.

Ki yeh kis mind frame mein hoga jabโ€ฆ inmein kitna angst hai inki work meinโ€ฆ iiske stroke bahut hi galat haโ€ฆโ€ This, Giriprasad says, is a classic side-effect of fame intersecting with creativity. When a public figure creates art, the audience often stops seeing it as a personal outlet.

โ€œPeople no longer see the art as a simple creative outlet but rather as a โ€˜statementโ€™ made by the artist in the viewerโ€™s mind,โ€ he says. The work becomes a canvas not just for paint, but for projection โ€” curiosity, judgment, and imagined psychological depth. Story continues below this ad Salmanโ€™s irritability is evident as he cuts through the analysis with blunt clarity.

โ€œAcchha dikta hai na? Khatam ho gayi baat. โ€ From a psychological perspective, this frustration and a boundary are natural.

Giriprasad explains that excessive interpretation can slowly strip creativity of its safety. โ€œToo much critical observation is capable of removing the creative play and the feeling of security from the creative expression,โ€ he says. Over time, the creator may feel watched rather than free โ€” creating to explain, rather than to feel.